Kyoko M is another of the terrific authors I’ve been getting acquainted with via KBoards. She’s the author of the urban fantasy series The Black Parade – a continuing story that revolves around a “made” family. Here, she offers some background on her series and the idea of true companions.
Saffron: Everybody plays each other. That’s all anybody ever does. We play parts.
Mal: You got all kinds a learnin’ and you made me look the fool without even trying, and yet here I am with a gun to your head. That’s ’cause I’ve got people with me, people who trust each other, who do for each other, and ain’t always looking for the advantage. — Firefly
Often, we authors tend to have laser-focus on our main characters—their development, their doubts, their fears, their flaws, and their strengths—but one thing I’ve learned through writing my urban fantasy series is that one of the most effective ways to measure your protagonist is through their family. After all, no man is an island. However, what happens when your lead is an orphan? Is blood the only thing that makes family? I beg to differ.
Jordan Amador started out as just another happy little girl with a single mom, Catalina, until she was five years old and her mother was taken away to a psychiatric hospital. Jordan was sent to live with her mother’s older sister, Carmensita, and unfortunately, Aunt Carmen was not mother material. It turns out there was extremely bad blood between the sisters and Aunt Carmen only took Jordan in to exact her revenge through physical and verbal abuse. Jordan later ran away and started her own life, but fate had something planned for her. After accidentally murdering a Seer, Jordan finds out that she has the ability to see and hear ghosts. She is sentenced to help a hundred souls with unfinished business cross over or she’ll go to Hell. A couple years later, only days from her two-year deadline, Jordan bumps into Michael: a handsome, sarcastic poltergeist who is the final soul that will save her soul. Unfortunately, his case busts open Pandora’s Box—robbery, murder, a deadly conspiracy, and bloodthirsty demons with an ax to grind.
Jordan spent most of her life as a teenager and twenty-something on her own. She’s very closed off emotionally thanks to being raised in a broken home and missing her mother, who died not long after she was committed to the psychiatric hospital. As the story continues, she bonds with the archangel Gabriel, who occasionally drops in to check on her progress with the souls she saves and later becomes like an older brother to her. He offers advice, teases her about her peculiar relationship with Michael, and gently reminds her to have faith in herself when times get rough.
Jordan’s best friend and fellow waitress Lauren Yi also has a large impact on her life, primarily as a playful voice of reason. She is fully aware of Jordan’s crotchedy personality and knows how to prod the truth out of her when she’s being hardheaded. Whereas Gabriel is always polite and appropriate, Lauren gives Jordan candid advice and won’t take no for an answer when she tries to deflect attention away from something that’s bothering her, like any good sister would. Plus, Lauren has a six-year-old daughter named Lily who looks up to her “Auntie Jordan” and is a beacon of light in Jordan’s mostly dark world. They are constant reminders that in spite of all the violence and the sacrifices the life of a Seer requires, there are still simple, beautiful things to live for.
Writing family has never been a challenge for me, as I have been fortunate to have a loving, supportive, colorful family. They might not see it right away, but many of my family’s interactions with me have influenced how I write Jordan’s true companions. We make fun of each other, but we do it out of pure affection. It’s a lot easier to keep your head above water with your family as your life raft. Just as I wouldn’t have made it this far without my family, neither would Jordan, and I think that’s what makes the best fictional characters. Family can show the many shades and layers of a character, whether implicitly or explicitly, and that’s why they’re vital to any story, fictional or not.